Janie explains that she never wanted to be restricted from doing activities that Joe had considered lower-class, but that Joe had forced her to. Obviously the narrator does not mean the material world, but that particular world which comes into being with the mature individual. But then came a day that Janie laid her gray head down on the pillow, and the square-toed-one came to visit her again, and she greeted him like an old friend, for she had lived a full life here on earth and was now looking forward to seeing Tea Cake and the Heavenly Kingdom. She is able to free herself from her unfulfilling marriages with Logan and Jody, showing the strength and development of her character. I learned that using flashback can be a way to make readers more interested, since it is only talking about the cause of an effect, so readers would be curious to know what had caused whatever it is to happen.
All gods dispense suffering without reason. She did not run to her with open arms as she once would have, for Phoebe too had aged, and her legs were sore from kneeling in her garden. Dirt roads so rich and black that a half mile of it would have fertilized a Kansas wheat field. Neither experience outweighs the other; they interact harmoniously. Janie climbs the stairs to her bedroom with her nightlamp. They make up the next morning, to the whole town's envy.
At the precise point at which Janie acts violently towards Joe, he begins to die. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. That Hurston should say that the objects are alive simply because they are moving is no accident. Because Janie strives for her own independence, others tend to judge her simply because she is daring enough to achieve her own autonomy. Mythologically, however, it is both necessary and predictable.
She cannot find her awakening until major moment has taken place. But it was worth it, for from that point on Phoebe and Janie kept in close touch through mail; Phoebe forever interested in Janie's adventures out abroad and Janie happy to know the doings of the small town. She sees a citified, stylishly dressed man. Life is readily accessible to Adam, Eve, and Janie, and requires a personal, psychological overcoming, rather than the overthrow of a more powerful, external being. The hurricane deserves particular attention for what it reveals about the relationship between life and violence. Janie, however, has undergone a fundamental transformation and now accepts and participates in the very sort of violence she previously criticized and shunned.
Though physically alone, Janie no longer feels alone at heart. Janie Crawford, the protagonist of the novel, returns home after being away for a very long time. Jody's ghost would always haunt that town for her. They warn of a hurricane coming, but no one believes them. Janie's independence begins slowly in the novel. Turner's brother that Tea Cake had full control over Janie. Joe is deflated and takes to his deathbed, refusing to let Janie visit him.
He confronts Janie, shooting her with a pistol while Janie shoots with a rifle. The packet of paper and ink was so large Janie had to purchase another postage stamp. Throughout the… 1110 Words 5 Pages but where? Why do you think Hurston chose to use imagery related to water to describe thoughts and feelings? So much of life in its meshes! Their Eyes Were Watching God: Alternate Ending After the trial Janie's feet were at a loss; they didn't know where to go. Through the combination of these two languages, Hurston is able to effectively express Janie's inner and outer voices, which become stronger throughout the novel, as she develops through a series of relationships and acquires. For the first time, Janie retaliates in front of a store full of people. The strength of the rushing water can knock any one person aside easily, and this illustrates the power that God and nature possess over human beings.
The other women in the town gossip about what she had down, running away with a younger man. Janie's best friend in Eatonville. Why is she with a man that has no money and no power? Then there is a depth of thought untouched by words, and deeper still a gulf of formless feelings untouched by thought. The following season, many people return to live on the Muck; some of the people are familiar from last year and some are brand new. Summary Because the people were so fond of Tea Cake, Janie stays a few more weeks in the Everglades, but home to her is still Eatonville.
I guess this means we can't be friends! The demands and the rewards—the magnitude of the violence required from Janie and the intensity or depth of the living which follows—increase as the novel progresses. This inner peace is what Janie spends the entirety of the story in search of. Dirt roads so rich and black that a half mile of it would have fertilized a Kansas wheat field. Joe constantly criticizes Janie for being old and ugly. Janie gives away everything she owns except for a package of garden seed, a reminder of Tea Cake and his love for planting things.
When she … runs off to marry Joe Starks, she runs through the gate, off to a new beginning. Since the Everglades mean nothing to Janie without Tea Cake, she returns to Eatonville, taking only a package of seeds that she plans to plant in remembrance of Tea Cake. In the end, Janie is forced to shoot her husband to protect herself—rabies is not pretty. She slaps Janie for her indiscretion, and tells her that she must get married. One afternoon, Janie sees Seminole Indians passing through the Muck heading east.