In addition, the modernist poets moved away from using images of nature, and they viewed the world with a more pessimistic lens. Though most modernist poets did not spend a lot of time describing nature, Frost lived in a rural setting, and most of his poems focused on nature. Other Poems Robert Frost wrote many modernist poems besides 'The Road Not Taken. A second analysis: The Road Not Taken by Robert Frost is quite a popular poem; unfortunately however, its popularity comes mainly from the simple act of misreading. Frost captures the uncertainty about making decisions.
If so, what feeling in this poem of mixed feelings, should be regarded as dominant? What he states here seems to contradict what he has said earlier. Examine this skill in a research paper on and his poem The Road Not Taken. In this case, when the poet revisits the episode in the future, he believes that even though he will not be able to make the decision again, his choice had mattered a great deal in his life. In this work, the speaker stands in the woods, at a fork in the road. Perhaps he will in the future actually believe this and he only wishes that he could choose in the present? Our route is, thus, determined by an accretion of choice and chance, and it is impossible to separate the two. Yet knowing how way leads on to way, I doubted if I should ever come back.
It is the way that he chooses here that sets him off on his journey and decides where he is going. However, the poet had made the less popular choice, and that is what has marked him as individualistic, and accounted for his success in life. His poetry is simple, and easy to follow. The yellow woods represent fall and I imagine the smell of crisp cold breeze. Paths in the woods and forks in roads are ancient and deep-seated metaphors for the lifeline, its crises and decisions. .
It is a poem about the journey of life. We should always have the courage to choose the right way even if it is rough and thorny. In fact, it follows a traditional rhyme pattern. Image: Robert Frost in c. The meter of this poem is iambic tetrameter, for the most part. Like mentioned above, the traveler regrets the road not taken.
Robert Frost: A Modernist or Not? I first read this poem in Elementary school but it always stuck with me whenever I would read it again. In line one Frost introduces the diverging roads, which are his main metaphors. He yearns for the simplicity of childhood and ends the poem with the famous line, 'One could do worse than become a swinger of birches. When making a choice or choosing a road, a person should realize that this choice is final and he will not have an opportunity to change it in the future. There is never a straight path that leaves one with but a sole direction in which to head. The fact that the traveler took this path over the more popular, secure one indicates the type of personality he has, one that does not want to necessarily follow the crowd but do more of what has never been done, what is new and different. Identical forks, in particular, symbolize for us the nexus of free will and fate: We are free to choose, but we do not really know beforehand what we are choosing between.
I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I- I took the one less traveled by, And that has made all the difference. Robert Frost was a well-known American modernist poet. GradeSaver, 12 May 2009 Web. However, he seems to contradict himself since he also describes the path as being just as fair as the first rather than better. After making his decision, he exclaims that he will leave the first choice for another day, and then he honestly tells himself that if he lets this road go now, there is no coming back. Commentary This has got to be among the best-known, most-often-misunderstood poems on the planet. Lines eighteen and nineteen expose that he intends to lie, and claim he took the road that was less travelled in reality both were equally travelled.
Diverging being the key word in this line because it suggests that the traveler must make a choice. Rhyming Quintains of Iambic Tetrameter This poem has a pretty complicated form. For example, take the first stanza: Two roads diverged in a yellow wood, A And sorry I could not travel both B And be one traveler, long I stood A And looked down one as far as I could A To where it bent in the undergrowth; B The rhythm of the poem is a bit trickier. That's a very modernist view. When the traveller realizes that he will not be able to take another road, left by in the past, he regrets it as lost opportunity. In line one Frost introduces the diverging roads, which are his main metaphors. The physical content and condition of a path, such as grass, leaves, or rocks represent insight; and symbolizes provided information of the choice, such as encounters or previous results or methods.
He chooses the grassy and less travelled path. The next two stanzas we can see different arguments, which help him to make a choice. Careful readers shall not be tricked. Several generations of careless readers have turned it into a piece of Hallmark happy-graduation-son, seize-the-future puffery. That is the reason we can feel the switch of the mood by the end of the poem.
Yet, as an old man, the narrator attempts to give a sense of order to his past and perhaps explain why certain things happened to him. He also lived in the countryside and used mostly natural images in his poems. What is notable, he is not unsatisfied with the life he has now but still regrets about the road he never took thinking that it might have done him happier. Oh, I kept the first for another day! In the first stanza, the traveler remembers standing at an intersection of two roads. Each road symbolizes a single choice.